| # | Title | Year | Place | Materials | Measurements | Practice / Format | Together With | Keywords | Weblinks |
|---|---|---|---|---|---|---|---|---|---|
| 03 | ÜBER DAS ENTFERNEN VERFASSUNGSFEINDLICHER SYMBOLE — ODER: ICH KANN BEIM BESTEN WILLEN KEINE HAKENKREUZE ERKENNEN (ON THE REMOVAL OF UNCONSTITUTIONAL SYMBOLS — OR: AS HARD AS I TRY, I JUST CAN’T MAKE OUT A SWASTIKA) | 2023 | Berlin Brandenburgische Akademie der Wissenschaften (BBAW) | Audio | 11 chapters, roughly 40 minutes | site-specific installation | read by Alexandra Sinelnikova | Swastika Floor, Villeroy & Boch | BBAW / Bundestag |
| 04 | TOMORROW (GORSE, PAYNE`S GREY, SLATE GREY, VIOLET, INDIGO) | 2023 | Kingsgate Project Space, London | Ink on Paper, Ink on Wall | TOMORROW (VIOLET, PAYNE`S GREY, SLATE GREY, INDIGO) 97 x 107 cm / TOMORROW (GORSE, SLATE GREY, PAYNE`S GREY) 96 x 153 cm / TOMORROW (GORSE, SLATE GREY, PAYNE`S GREY, INDIGO) 225 x 352 cm | site-specific installation | relationship, light, action of looking, colour sensitivity, echoes | Kingsgate Workshops | |
| 05 | Class Issues – Art Production In and Out of Precarity | 2022 / 2023 | nGbK zu Gast in der Berlinischen Galerie | curating | Frauke Boggasch, Silke Nowak, Anna Schapiro, Anna-Lena Wenzel, Norbert Witzgall | inclusion and exclusion, precarity, poverty, paradoxes | Klassenfragen / Berlinische Galerie / nGbK / New York Times / Art Monthly UK / Attribune / art-in-berlin / Neues Deutschland / Berliner Zeitung / Mit Vergnügen / BZ / Arttalk / dradio-Fazit / dradio Kompressor / rbb / arte tv |
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| 06 | Potential Space (Ein möglicher Raum) | 2022 / 2023 | Berlinische Galerie | Ink on Paper / Ink on Wall | 8,5 x 4,80 m | site-specific installation | possibility and impossibility of space, maximizing imagination, reduction of materials, behind the glamorous image of the artist | Klassenfragen / Berlinische Galerie / nGbK / Berliner Zeitung | |
| 07 | Stuhl Dazwischen Stuhl, oder: Über die Qualitäten eines Blickes und die Öffnung hin zu neuen Narrationen | 2022 | SFKP / SSPA Schweizerische Fachgesellschaft für Kunstpädagogik / Societé Suisse pour la pédagogie de l'art | writing, text | in between space as an independent form, migration, multilingualism, narration, childhood, memory, 90's west germany, | e-Journal SFKP | |||
| 08 | Views Of A Possible Moon (Ansichten eines möglichen Mondes) | 2022 - ongoing | Messingwerk in Eberswalde | Ironoxides, Dust, Rain | 97 x 10 m | site specific work | slowly falling apart, historical layers, color density, decay, generosity | Institut für Neue Soziale Plastik, Messingwerk | |
| 09 | DIFFERENT WITHOUT FEAR (OHNE ANGST VERSCHIEDEN) | 2021 | Rathaus der Stadt Offenbach am Main | Inkjet Print | site-specific installation | Graphic design by Jian Haake | Adorno, Minima Moralia, emancipated society, right-wing violence | ||
| 10 | Three Earths | 2022 / 2023 | Gwarna cementery, Gwarna Street and Konstytucji 3 Maja Square, Wrocław, Poland | Earth Pigments, Pit Lime | Gwarna Street and Konstytucji 3 Maja Square, Wrocław, Poland | site-specific work | THE URBAN MEMORY FOUNDATION | 18th century Jewish cemetery, remembrance, boundaries, non-invasive, marking | Urban Memory Foundation |
| 11 | Open Closed (Offen Verschlossen) | 2019 | Buchkinder Dresden e.V. | Ink, Paper, Chalk, 2019 | 10 x 5 m | site-specific installation | opening, windows and doors, surrounding | Buchkinder Dresden e.V. | |
| 12 | MY HOUSE IS YOUR HOUSE (MEIN HAUS IST DEIN HAUS) | 2009 | Lublin, Poland / Hinterhof / Backyard | Paper, Plaster | site-specific installation | courtyard, empty space, washed away by rain and wind | |||
| 13 | There is No | 2018 | Halle Süd Tölz, Galerie für Landschaftskunst | Ink | 97 x 10 m | site-specific installation | space, generosity, rhythm, movement, colors reflected into the space | ||
| 14 | Empty Center, based on a poem by Rosmarie Waldrop On Lawn of Excluded Middle | 2016 | Haus für Poesie, Berlin | Ricepaper, Ink, Metal | Ø 5m x 2,20m | installation | boundarys, outside, inner space, womb, "much must be said against its claim that everything must be either true or false" | ||
| 15 | Secret Colors of Eastern Europe | 2015 | Oil Pastel On MDF and Wooden Panels | various | visual work | decorative painted details, synagogues, Eastern Poland, West Ukraine, surrounding, migration, collecting colors, | |||
| 16 | Secret Colors of Eastern Europe (Banners) | 2018 | PVC cover, UV print | four-part work 4 x 2,5 m | reappearing, movement of color, a remarkable find, migration | ||||
| 17 | A Nuance Between Red and Blue – Maybe Purple (Eine Nuance zwischen Rot und Blau – Vielleicht Purpur) | 2022 / 2023 | Galerie Stefanie Kelly, Dresden | Ink on paper, Ink on wall, real purple pigment | Seven-part work, consisting of four framed pictures and three wall prints, purple snail shells and real purple pigment. MAGENTA I (2020, Ink on paper, 1 x 1,5 m) / MAGENTA II (2020, Ink on paper, 1 x 1,5 m) / BLAUES KISSEN (2020, Ink on paper, 1 x 1,5 m) / PURPUR (2022, Ink on paper, 32 x 42 cm) / PURPUR (2022, Ink on wall, 5 x 3,5 m) / MAGENTA (2022, Ink on wall, 4,5 x 3,5 m) | installation, visual work | Exhibition project with Maja Gratzfeld | textiles or curtains, the gallery becomes the work itself, relationship | GALERIE STEPHANIE KELLY |
| 18 | Relatives (Verwandte) | 2013 | Kunsthaus Dresden (view Kunsthaus Dresden at the exhibition „Vot ken you mach?“) / Version Stuttgart (view at the exhibition IMPORT=EXPORT) | Paper, Wax, Metall Sticks | 240 cm x 600 cm (Dresden) / 260 cm x 380 cm (Stuttagart) | sculptur | kinship, Donna Haraways, dyed, gravity, human body | ||
| 19 | Moving Earths | 2022 | Płaszów, Kraków - former Płaszów concentration camp site | French Ochre, red earth pigment | approximately 40 hectares | collective work, site specific intervention | FestivALT | old Jewish cemetery, mass graves, remembrance, activist, civil society, responsiblity, respond, marking, naming, boundaries | |
| 20 | MINISTERIUM FÜR MITGEFÜHL (MINISTRY OF COMPASSION) | 2018 - ongoing | varius places | collectively drafted texts, poster campaigns across Germany, performative format of MfM office hours (Sprechstunde der Ministerin) and other | collective work | The MfM currently has 10 ministries: Svenja Viola Bungarten, Jan Böttcher, Özlem Dündar, Daniela Dröscher, Jelena Jeremejewa, Maria Milisavljevic, Mehdi Moradpour, Anna Schapiro, Rina Soloveitchik and Thai Thao Tran. | resistance against the brutalization of language and social coldness, compassion as a political force | Ministerium für Mitgefühl / Kunstforum / KULTUR MITTE / DRADIO / articles we wrote | |
| 21 | I PREFER TO SEE WITH CLOSED EYES | 2017 / 2018 | Interdisziplinäres Symposion des Forums/IKDM der Muthesius Kunsthochschule Kiel | teaching assignment, seminar | »Interaction of Color«, Josef Albers, experiences in seeing | ||||
| 22 | Gravity of Northern Colors | 2017 / 2018 | In and around Stockholm, SE | Oil Paint On Transparent Paper, 2017 | 29,7 × 42 cm | collecting, visual work | non-representative spaces, collecting colors, reproduction, surrounding, migration, space, context, | ||
| 23 | Kolleg für studentischen Austausch und gutes Essen (Collective for Student Exchange and Good Food) | 2009 - 2011 | HfBK Dresden | food on plates, public dissussions | curating, cooking | Anna Schapiro, Anne Adelt, Caroline Günter, Claudia Kleiner, Friederike Pilz, Heidi Eckstein, Henrike Pilz, Johanna Schwab, Juliane Csapo, Katharina Schrull, Katrin Rapp, Peter Krüger, Sascha Berles | food, art education, temporary restaurants, seminars, film screenings, cooking as an art form, public space, fresh, organic products, sustainabilty, farms | DAS KOLLEG FÜR STUDENTISCHEN AUSTAUSCH UND GUTES ESSEN | |
| 24 | SCHNITT DURCH DEN TIEFEREN GRUND EINER FALTENMOLASSE | 2018 | As part of EIN BRUNNEN FÜR ALLE at GFLK Halle Süd, Tölz | India Ink and Rice Paper | 7 x 20 m | visual work | mountains and lakes, geological conditions, foothills of the Alps | GFLK / Süddeutsche Zeitung / Süddeutsche Zeitung / Süddeutsche Zeitung | |
| 25 | SCHENKUNGSVEREINBARUNG (GIFT AGREEMENT) | 2018 | As part of EIN BRUNNEN FÜR ALLE at GFLK Halle Süd, Tölz | 21 × 29, 7 cm | stolen artwork, installation | speculation, ground water, geological conditions, foothills of the Alps | GFLK / Süddeutsche Zeitung / Süddeutsche Zeitung / Süddeutsche Zeitung | ||
| 26 | CURTAINS I, II, III (VORHANG I, II, III) | 2016 | Pencil, Crayon on Transparent Paper | 29,7 × 42 cm | drawing | how to fall, gravity | |||
| 27 | ONE FOR ONE | 2020 | KunstNothilfe in einem Ladenlokal am Ku’damm Berlin | curating | Annelie Andre, Mona Glass, Jakob Blazejczak | art during lockdown, performances, readings, music | n-tv / Berliner Zeitung | ||
| 28 | SOVMESTINY STOL: Berlin — Michigan | 2021 | Hopscotch Reading Room | curation conversation and food | Dascha Klingenberg and Goluboy Vagon | table, dinner, migration, poetry, song, conversation, exchange around (post-) Soviet Jewish experiences, geographic and political contexts | Kolektiv Goluboy Vagon | ||
| 29 | Offene Geheimnisse I (Open Secrets I) — (Blue Violet, Indigo, Payne's Grey, Slate Grey, Bordeaux, Burnt Sienna, Yellow Ochre, genuine Indigo, Iron Oxide Red, Bohemian Green Earth) | 2023 | Berlin Brandenburgische Akademie der Wissenschaften (BBAW) – Berlin-Brandenburg Academy of Sciences and Humanities | Blue Violet, Indigo, Payne's Grey, Slate Grey, Bordeaux, Burnt Sienna, Yellow Ochre, genuine Indigo, Iron Oxide Red, Bohemian Green Earth | 7,5 x 20 m | site-specific installation | Colonial History, NS History, Prussia, Historical Layers, Red Army, mistrust of representative places | BBAW / Stiftung Preußische Seehandlung |
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| 30 | NACHHALLE – Jalta. Positionen zur jüdischen Gegenwart 08 | 2023 | Neofelis Verlag | editing, writing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | attack in Halle; racist, antisemitic and misogynist violence, Solidarity, Resistance, Alliance building | Neofelis Verlag / Taz / Radio Corax / SWR2 Kultur / Rosa-Luxemburg-Stiftung / Jüdische Allgemeine | ||
| 31 | Übersetzbarkeit – Jalta. Positionen zur jüdischen Gegenwart 07 | 2020 | Neofelis Verlag | Softcover, 19 x 26 cm, 140 Pages | editing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | Untranslatability, linguistic confusion, translation processes, Tower of Babel | Neofelis Verlag / haGalil.com | |
| 32 | Ver|un|einigung – Jalta. Positionen zur jüdischen Gegenwart 06 | 2019 | Neofelis Verlag | Softcover, 19 x 26 cm, 156 Pages | editing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | Collapse of the Soviet Union, GDR, 'Re-unification' | Neofelis Verlag | |
| 33 | Exile. Ein Kunstheft – Jalta. Positionen zur jüdischen Gegenwart 05 | 2019 | Neofelis Verlag | Softcover, 19 x 26 cm, 204 Pages | editing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | Experiences of exile, Perspectives through exile, longing and belonging | Neofelis Verlag | |
| 34 | Gegenwartsbewältigung – Jalta. Positionen zur jüdischen Gegenwart 04 | 2018 | Neofelis Verlag | Softcover, 19 x 26 cm, 170 Pages | editing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | 'World champion in dealing with the past', Remembrance culture | Neofelis Verlag | |
| 35 | Allianzen – Jalta. Positionen zur jüdischen Gegenwart 03 | 2018 | Neofelis Verlag | Softcover, 19 x 26 cm, 164 Pages | editing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | a society in which we can be different without fear, participation, solidarity | Neofelis Verlag | |
| 36 | Desintegration – Jalta. Positionen zur jüdischen Gegenwart 02 | 2017 | Neofelis Verlag | Softcover, 19 x 26 cm, 156 Pages | editing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | marginalized narratives, thinking from the edges, to take apart | Neofelis Verlag / der Freitag | |
| 37 | Selbstermächtigung – Jalta. Positionen zur jüdischen Gegenwart 01 | 2017 | Neofelis Verlag | Softcover, 19 x 26 cm, 172 Pages | editing | Micha Brumlik, Marina Chernivsky, Max Czollek, Hannah Peaceman, Anna Schapiro, Lea Wohl von Haselberg | anger, solidarity and alliance building, Talmudic figure Yalta (Wut, Solidarisierung un Allianzbildung, Talmudfigur Yalta) | Neofelis Verlag / Dradio / MiGazin / taz / haGalil.com / Jungle World / Lernen aus der Geschichte |
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| 38 | Offene Geheimnisse II (Open Secrets II) — (Blue Violet, Indigo, Payne's Grey, Slate Grey, Bordeaux, Burnt Sienna, Yellow Ochre, genuine Indigo, Iron Oxide Red, Bohemian Green Earth) | 2023 | Stiftung Preussische Seehandlung & Berlin Brandenburgische Akademie der Wissenschaften (BBAW) | Ink on Paper | 1 x 1,5 m (each one) | visual work | Abdrucke, Imprints, Paper | BBAW / Stiftung Preußische Seehandlung | |
| 39 | VIER FARBEN (MAGENTA, GINSTER, BLAUVIOLETT, MÄRCHENGRÜN) FOUR COLORS (MAGENTA, GORSE, BLUE-VIOLET, FAIRY-TALE GREEN) | 2013 | Senatsaal HfBK Dresden | Ink and Paper | 10,34 x 5,4 m | site-specific installation | imginantion is a practice, to open a wall, to let all parts take part | ||
| 40 | o.T. (Schwarzes Tuch) – untitled (Black Sheet) | 2011 | HfBK Dresden | Ink, Paper, Chair | 180 × 100 cm | site-specific work | imgination is a practice, to open a door in a wall | ||
| 41 | o.T. (Various Prints out of There is No) | 2020 | Ink and Paper | various sizes, mostly around 96 x 140 cm | visual work | ||||
| 42 | In·ter·de·pen·denz (Seminar) | 2022 / 2023 | Universität zu Köln | teaching | society, vulnerability, dependency, listening and speaking, political dimension of care, classroom | ||||
| 43 | DER ELEFANT IM RAUM. SOZIALE HERKUNFT – VERNETZTE SOLIDARITÄT – POSTMIGRANTISCHE PERSPEKTIVEN | 2020 | Berliner Landeszentrale für Politische Bildung | series of talks | class, migration, solidarity, Jalta.Positionen zur Jüdischen Gegenwart | ||||
| 44 | Two Materials (Zwei Stoffe) | 2016 | Rice Paper, India Ink, Brass rods | 148 × 167 cm | installation | hanging on a metal rod, soked paper | |||
| 45 | Blaufärben (blue dyeing) | 2017 | Kunsthaus Dresden & Blaudruckwerkstatt Pulsnitz | workshop | Theresa Schnell | dyeing, blueprint, women, blueprinting, craft, indigo |